This morning I took a few pictures of the sun rising over an area called ‘Swamp Vue.’ To do so, I put my camera on ‘manual’ and took a few shots at different settings finally getting the shot I wanted with the aperture at f/22, the shutter speed at 1/160 sec, and the ISO at 250.
Usually, when I do this, I finish by setting the camera back to ‘auto’ before replacing the lens cap and turning the camera off. Well… I forgot to change the settings. Walking a little farther up the road I came to a bed of Chinese Roses (rosa chinesnis) and took a couple of quick pictures without paying attention to the settings. This is what I got…
When I got home later I was disappointed to say the least. Wondering whether I could rescue the shots, I transferred them to my iPad to go some quick editing with Snapseed – I figured if I could make a halfway decent job of it, I’d try a little harder later on my laptop.
I started by fiddling with the brightness, ambience, highlights and shadows; decreased the grain; then one thing followed by another. The results are passable – definitely worth spending more time on
Magnolia Blossom was lying under a tree at Pomerance Park when I met her, near the ruins of Wyndygoul, the old Seton home.
A chance encounter, almost didn’t see her, almost stepped on her actually.
I found her interesting and took her home where I set her on my desk then proceeded to ignore, and eventually forget, her as I worked.
I found her there this morning as I was getting ready to go out for my morning coffee. She was pretty much as I had left her. Though having lost some of her freshness and looking wilted, she was still attractive, interesting, still so full of colour.
I took her out to breakfast.
Alone together in the upstairs room of the coffee shop, I began to undress her.
[Camera: Olympus OM-D E-M5 MarkII Lens: Olympus M.Zuiko Digital ED 14-150mm F4.0]
all images edited in Snapseed: Cropped or expanded to 5×7 ratio; a little vignetting, detail reduction to give a soft focus look
Most mornings I go out for a walk. Depending on weather I try to get five to six miles in on weekdays, eight to nine on Saturdays, Sunday I rest. I carry a camera in one hand, my iPad in the other.
At the three mile mark (sometimes a little more, depending on my route) I stop at what has become my coffee ‘local’: a patisserie called Aux Delices in Riverside, Connecticut. I get there shortly after they open at Seven and and take a coffee and croissant upstairs to the usually empty dining room where I sit at my regular table reading though my copy of the internet.
As I sit, people come and go and I can’t help watching, listening and, of course, taking pictures. Most of these I never post, especially if they show their full faces, but I thought I’d put some of them here including a couple of selfies I took using the Olympus’ remote control app on my phone.
When I go for my morning walks around town, I am constantly on the lookout for something to photograph. My eyes usually gravitate toward lost, discarded or misplaced things (toys, balls, gloves, bottles, etc.).
A few days ago I found a beautifully rusted chain link. It’s a little over two inches long, a quarter inch thick, and worn with a gap on one end where it must have escaped from whatever it was attached to.
I took a picture of it on lying on the side of the road where I found it and started to walk away, but it had so captured my imagination that I went back to pick it up.
For the next few days I carried it around to with me to photograph against different backgrounds using both the OM-D and my iPhone. When using the Olympus I almost always used manual settings – or at least in aperture priority mode; with the iPhone I just hoped for the best and that Snapseed would rescue the bad shots. I hope you enjoy the results as much as I enjoyed taking and editing them.
There’s no denying it: although I profess myself to be a misanthrope, I do like to occasionally spend time sitting in a bar, watching people and listening in on conversations around me.
But what I like most is to take pictures in that special light that you really only find in a bar.
People and things just look so different inside a bar than they do in the outside world (and I’m saying this is true even before I start drinking!).
This afternoon my wife and I went to the Town Dock Tavern in Rye, about ten miles from home, to visit our friend Margaret who was bartending.
There was only one other person there when we arrived, but soon a few regulars started coming in. The place became lively with laughter and friendly conversation.
Margaret made sure we were acquainted with everyone and we felt most welcome.
We ate, we drank, we enjoyed the people, and then we remembered that tomorrow was Monday.
I want to explain the picture below (also the featured image) because they look less than flattering to the people in them and I call them ‘If Hell Had Happy Hour I’ and ‘II’ because nobody looks to be having a particularly good time, but this is one of those tricks of timing where, in that one split second, everyone looks off. It’s like when you pause a video in the middle of someone talking – that most beautiful or handsome person you wanted to stare at for a while looks like the biggest doof in the world!
I guarantee, everyone was having a wonderful time, they were some of the most pleasant people I’ve ever drank with and I hope to hang with them again someday soon.
Like many people, I’m fascinated by the way different objects reflect light or images. Capturing this on ‘film’ hasn’t always been easy for me. Been a bit of a learning curve.
A lot of times I think I’m taking a photo of what I’m seeing only to find out that either my point of view isn’t exactly the same as my camera’s or that I didn’t have the settings right and the beautiful reflection I thought I caught looks undefined or washed out. Fortunately post processing with tools such as Snapseed, GIMP, etc., can help bring out the beauty that was there in my eyes.
I love the way different surfaces reflect objects and light: how very smooth surfaces (water, glass, polished marble) act like mirrors, rough and dented surfaces provide only a rough idea of the images they reflect. There’s an analogy somewhere in there for the way we think and relate our ideas to each other.
Not all reflection is about light and images – sometimes a reflection is seeing something two people are doing that looks almost the same.
Three weeks ago I got home to find a package at my door. I wasn’t too excited: we’ve all been experiencing a year of random packages showing up almost every day with stuff you ordered who knows when, while you were thinking god knows what, drinking scotch in the dark and surfing the internet (or is that only me?) Surprise, surprise, though: it was something I actually remembered ordering and had been looking forward to: a reconditioned Olympus OM-D E Mark 5ii with a 14-150mm lens.
I found it cheap on eBay, having gone on a search after seeing it listed as the equipment used in someone’s blog post (wish I could remember whose. I’ve gone back looking, but can’t find it. As I said, scotch in the dark and surfing the web).
I unwrapped the package, put the battery in the charger (so glad they included one, because I hadn’t thought about it) and loved forward to taking it out the next morning. Immediately I liked its look and feel: it more closely resembled the film cameras from my past – it even looked more like my old Canon AE-1 than any or my more modern Canons – its size and weight also felt great in my hand: smaller, but a little heavier than my Rebel, and … I don’t know… more fun to swing around.
Many things on cameras are easily understood at first glance – here’s the shutter release, there’s the wheel you turn to set the picture-taking mode, here’s the button to release the lens, etc. Other things take some reading and getting used to. For example, setting for manual focus: with my Canons there’s a switch on the lens, itself; with this camera it’s software driven and I have to go into the settings menu – already, I can tell this will be a pain in the ass since I’m used to switching from auto to manual focus ‘on the fly,’ as it were.
To get to know the camera I did what I do with a lot of things: I downloaded the manual to generally ignore, but look at from time to time, and started carrying it everywhere and taking pictures, feeling my way through the different settings.
Generally I like the camera – I love the lens! – and the pictures it takes. There really are only two things I don’t like about it:
First, the so-called ‘super control panel.’ To me, its not so super. Perhaps this may be because it’s a reconditioned camera, but I find it hard to use the touch-screen functions. The first time I tried to select ISO setting, I tapped and tapped and tapped until I almost didn’t want to take the picture anymore. Finally I typed somewhere else, magically activating the White Balance setting, then used the arrow pad to move to the ISO setting.
Second, the aforementioned switching from auto to manual focus.
The WiFi functions are fun – clunky, but fun – this being my first camera with built-in WiFi. I like the ability to transfer pictures directly to my iPad for editing instead of waiting to get to transfer from camera to laptop to iPad. I’ve also used the WiFi remote a few times.
All-in-all, happy with the purchase and the pictures. I sort of feel bad for my Canon, though: it’s been sitting on the shelf for the past three weeks, only getting sun a couple of times when I wanted to use a camera I was a little more comfortable with.
One thing that’s happened this past year has been the great reduction of my social circle. It was never big to begin with – a group of women I usually sat with for morning coffee during the week, a bunch of regulars I would see and talk to at various pubs and restaurants, a couple of guys I would have coffee with on the weekends – but now it has diminished to, essentially, 7: two people I see daily for coffee, two couples my wife and I see occasionally, and one other guy – a crazy-talented artist who drops by with paintings every once in a while, the intervals between which have increased since, after nearly a year of unemployment, he found work.
One of my coffee friends is Jim. I’ve known Jim at least three years. We became friends a through mutual appreciation of alcohol – a friendship which developed over the years over our common interests in software development, politics, art, whisky, and general conversation.
In a recent post I mentioned my inability to stop taking pictures. This includes pictures of people I’m hanging around with. Jim presents a problem. He doesn’t like having his picture taken – at least not candidly and with the frequency that I take them. I decided to turn this reticence into a sort of regular feature of my Instagram posts.
In addition to morning coffee, we meet regularly for dinner at the couple of places we feel safe going to, and almost weekly on Thursdays for a <air quotes> writing workshop </air quotes>. The reason for the air quotes is that, actually, it’s my wife attending a writing workshop while Jim and I discover the benefits of good whisky (Scotch, mostly, but bourbons, ryes, and others are welcome).
Anyway, thought these would be fun to post here. All photos taken with my iPhone XR Rear Camera (ISO and shutter speed whatever the hell the phone thought it should be) and edited in Snapseed using a combination of filters – including ‘tune image’, ‘details’, ‘curves’, ‘vignette’, ‘brush’, and ‘vintage’ – sometimes more than once each.
Perhaps its something I need to see someone about, but I can’t seem to stop myself from taking pictures. Everywhere I go, I look at people and things from the perspective of whether or not I could make a good picture of them. I’ll be in the middle of a conversation, something will catch my eye and I’ll reach for the camera; or walking with someone, they might suddenly find me half a block behind taking pictures. If I don’t have one of my cameras with me, I’ll at least have my phone. On those rare days I have neither, It must be funny to see me frantically patting myself down and cursing.
Yesterday afternoon my wife and I met a friend for an early dinner at a local wine bar & salumeria – we go early because the bar will be mostly empty, the friend and I wound up staying later though.
It’s one of my favorite places to go because of its interior design: marble bar, red leather barstools and booths, exposed steel beams, an interesting sunlight, and creative lighting.
For me, the place is so picturesque I find it hard to concentrate on my drinking – but I manage mostly because the phone doesn’t need me to play with aperture or shutter and film speed. Sure that takes some of the creativity out of it, but I make up for that in the editing later.