There were a couple of strawberry calyces (caps) in the sink this morning and I got the idea that they might make for some good pictures. It’s a sunny day, so I took one of them out to the stoop where I photographed it using a macro attachment.
A bit of strawberry ‘meat’ attached to the calyx, I thought, made it look weirdly interesting.
Unbeknownst to me, an ant had come to check the cap out and popped out from behind as I was shooting.
To show some perspective, I placed a dime in a couple of the shots.
I’ll say nothing else and let the pictures speak for themselves. Hope you enjoy.
Most of the pictures were taken with the attachment on a 40-100mm zoom lens at different focal lengths, a couple with a 40mm prime. The camera set to Aperture Priority at f/22, and an ISO of 400
INTRODUCTION/RECAP: I recently read through ’13 Creative Exercises for Photographers’, an article by Todd Vorenkamp posted by B&H Photo Video (recently discovered a version on petapixel.com – links to both at the bottom of this post) and thought it would be interesting to go through each and bore you with the details. Today I did the second exercise.
Exercise 2: Ten of One
The instructions for this exercise were simple: Take 10 unique and/or abstract photographs of 1 small subject. For my subject I chose a small plastic cow my daughter had brought home with her from a class trip to Spain in 2007 when she was 13. Her name is Lechesia. She had been filled ice cream [from my daughter: If memory serves, it was like those cafeteria cups with half chocolate, half vanilla]. Until earlier this week, she had been sitting around our kitchen since then near the stove where it had been accumulating a veneer of cooking grease and dust ever since. (Relax, I cleaned it up a bit before starting this exercise.)
Again, here’s how I cheated:
I will admit to taking an initial ten pictures not liking any but a couple of them and starting over again so, closer to twenty pictures (do the others count if I deleted them?)
Not sure if this is cheating, but for the past few days the cow has been sitting on my desk – this was before I started doing these exercises, so the cleanup and move were not premeditated. The directions, as I quoted above, were pretty spare, so I’m not sure it counts as cheating that I took the cow outside for a couple of shots.
There’s another exercise later on (7: Portable Subject) where I’m supposed to carry an object around with me and make sure that it’s included in all my shots, but I feel this is different. My interpretation is that in this exercise the subject is the object, in the other is it’s the location.
I’m sharing all ten photos here because… well, who wouldn’t want to see ten pictures of a plastic cow? Who? (Might be you, so… oh, well, sorry!)
Magnolia Blossom was lying under a tree at Pomerance Park when I met her, near the ruins of Wyndygoul, the old Seton home.
A chance encounter, almost didn’t see her, almost stepped on her actually.
I found her interesting and took her home where I set her on my desk then proceeded to ignore, and eventually forget, her as I worked.
I found her there this morning as I was getting ready to go out for my morning coffee. She was pretty much as I had left her. Though having lost some of her freshness and looking wilted, she was still attractive, interesting, still so full of colour.
I took her out to breakfast.
Alone together in the upstairs room of the coffee shop, I began to undress her.
[Camera: Olympus OM-D E-M5 MarkII Lens: Olympus M.Zuiko Digital ED 14-150mm F4.0]
all images edited in Snapseed: Cropped or expanded to 5×7 ratio; a little vignetting, detail reduction to give a soft focus look